Saturday, July 9, 2016

In mounts and frames


Even though I have most of my illustrations stored quite safely in portfolios, I am always relieved when I mount one of them and slip it into a protective plastic bag or wrap it in florist foil (after panicking about damaging the mount). It is so satisfying to see them well-presented and smoothed out. Generally I am not that precious about my work (twice now I have lost piles of drawings and paintings to leaks/burst pipes, and  the second time I just shrugged it off), but the neat freak in me loves to see everything ordered and safe.

Some of the illustrations for Amie's book are off to new homes, which prompted me to get organised and sort out mounts. I seem to be in mounting and framing and hanging mood - we have been rounding up all the artwork we want to hang and creating clusters and 'gallery walls' (a big chunk of one wall in the corridor) displaying work by friends as well as our own. 

John is obsessed with maps (who doesn't love a good map?), so we are hoping to get a few framed, for example a print of the 1651 pictorial map of Galway he was given and Tim Robinson's beautiful Burren and Arann maps (my aunt bought the Burren map for me, and I always thought it was a pity to just have it folded up in drawer).

It may seem laughable how excited I get about little things like mounting artwork (see also tidying the shed and sorting out a kitchen drawer), but as India Knight said in her column last week (about losing yourself in a hobby in times of crisis), "It is so important to remember the comfort of ordinary things" for "whenever we feel discombobulated by life."

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